The Impossibly Long End of Year and Beginning of Year Movie Update!

I can’t believe that it’s a new year already! Where did the time go? I haven’t been blogging like I should have been this past year and I apologize for that. A lot of personal stuff got in the way. Now I’m not one to talk much about my personal life here on the blog, but because my personal life impacted the project so much this year, I feel I owe you all an explanation since you’ve patiently stuck with me all this time. I wish the news was all good. Unfortunately, it wasn’t. So let’s get the unpleasant stuff out of the way first.

Near the end of 2013, the motherboard on my computer burned out. That immediately stopped all work on the treatment because all my files were on that hard drive. I know, I should have had a backup (I do now), but I didn’t then. Fortunately, I had other options that still gave me access to the Internet, but that was about it. Getting my computer fixed took way longer than it should have because I was given some wrong advice but this past summer I finally got it working again.

This is what I've been living with the past year.

This is what my bathroom currently looks like.

Then a water leak in my only bathroom caused extensive water and mold damage in both my bathroom and bedroom. What a mess. The tub/shower got torn out, along with several walls and carpeting in my bedroom. I’ve been living with no tub/shower for almost a year now and have been having to use the shower at the gym. I’m thankful that the shower is available; but it’s also a pain in the neck to have to leave my home to take a shower. So I’ve been saving my money to get the bathroom remodeled first. Then I’ll save to get the bedroom remodeled. I’ve been wanting to get that bathroom remodeled for years. (I’ve always hated that floor and wallpaper.) Now I’m forced to get it done. It’s been a year since this happened and I only have 1/6th of my budget saved so, unfortunately, I have to live with this for quite a while yet.

Shortly after this happened, I got sick. I won’t go into the details, but it is a permanent condition. Fortunately, I’m managing it and have felt fine since. There’s always the threat that I could have a flare up, but if that happens I’ll deal with it. It’s nothing that will stop me from moving forward.

And lastly, I had my identity stolen. What a headache that was. It took months to get it cleared up, but I eventually did. I wish that was the end of it but, unfortunately, from now on I need to keep a hypervigilant eye on my credit report.

I didn’t tell you all of that to get your sympathy. There are a lot of other people that had a much harder year than I did, such as my cousins who lost their 12-year-old daughter to cancer. And I’m not trying to make excuses, but the reality is that sometimes things happen that throw us off course. It can’t be helped. To deny that is simply unrealistic. But it’s not the fall that determines the outcome. It’s whether you get back up again. So here is me getting back up again.

With everything that has happened, you might be thinking that last year is a total wash. No, not at all! It’s the year the treatment was finally finished! Yep, after years of trying to find the right story, I finally have a story that I love and am excited to make. So let me catch you up on what’s been happening with the project.

Back at the beginning of the last year, Shawna, the writer I had been working with, decided that she wanted to leave and pursue her own projects. I totally get that. She had helped me for several years with my story and was patient beyond belief with this beginning screenwriter. I always appreciated her critiques. She was never afraid to express her opinion and tell me if something was wrong. That’s such a rare quality. And even though we didn’t always agree, we were always able to talk about it. I am very thankful for all her input.  Because of her help the story is so much better than it was. I wish her much success in her new endeavors.

After Shawna left, it wouldn’t be until summer that I finally was able to access and work on the treatment again. This time I was on my own. The majority of the story had already been written, so it was just a matter of finishing up the third act and then giving it a quick once over and making some formatting changes. I reformatted it as a scriptment, which is a treatment with some screenplay formatting in it. By fall it was finished. It turned out to be a massive 56 pages long.

Now it was time to have it professionally analyzed. I sent the treatment to two story analysts. Both of them teach college screenwriting and have read hundreds of scripts over the years. One is located in Los Angeles and teaches at UCLA Extension, among other places. (I’ve taken one of his classes in the past.) He has also been a reader for several major studios. The second one is located in San Francisco and teaches at the Academy of Art University and is a former Pixar story analyst. So both of these guys are very qualified. What’s interesting is how very different their notes were.

Now, I don’t expect the story analysts to like my story. It may not be their personal taste; and that’s okay. I just need them to tell me if there are any story problems. What I wasn’t expecting was how much the LA analyst would LOVE (caps are his, not mine) my story. I had always thought of my story as sci-fi/fantasy. His opinion was that it is a fantasy thriller. He thought the genre was great, the weapon unique, and he loved the world I created and the characterizations. I didn’t tell him about the cast I’m writing this for so he judged it purely on story.

What equally surprised me is what he said needed work. He said the story was only half finished, that it was in the middle of act two, and that I needed to finish act two and write act three. To say I was flabbergasted is an understatement. I thought I had a beginning, middle, and end! He didn’t agree. He said to take what I wrote and add to it. The other notes he gave me was to make the ending bigger and make the villain eviler. He wanted me to keep it in treatment form until I finished writing the rest of it.

The SF analyst didn’t tell me whether he liked the story or not. He just pointed out some rather minor things that needed expanding and/or clarification. His biggest note was that it needed a better ending. I totally agreed with that. After he was finished with his comments, I told him what the other analyst had said about the story only being half finished. I wanted to see if he agreed. He didn’t. He reaction was the same as mine had been. (“What?!”) He said that the story was ready to go to script and he thought I had about 100 pages worth of script. The LA analyst thought I had 75 pages worth of script.

Goes to show you that even the experts don’t agree and it always pays to get more than one opinion. So who is right? Well, the only way to find out how many pages I have is to start putting the story into screenplay format, so I decided to fix the few minor issues they pointed out, call the treatment done, and start writing the script. If I do end up needing to add on to the story, I already have a bunch of ideas on where to go next.

I thought it was interesting that the SF analyst described the story as having franchise potential. I purposely wrote the story with the idea that it could have both franchise and transmedia potential. I’ve got ideas for a webisode, books, toys and other merchandise, a video game, and future movies, as well as a TV show. Seriously, the story world I created is that big! But I wrote it that way because I wanted to set it up for success from the very beginning. How much of those ideas come to fruition only time will tell, but the possibilities are there.

If I had a huge studio budget, we could do some amazing visual effects, but I also wrote the story with the idea that the effects could be scaled down a bit for a smaller budget. But that doesn’t mean I want it to have cheap-looking effects. I’ve been following a couple of other independent sci-fi movies. The first one, Iron Sky, was done with a $10 million dollar budget, but the effects are so good in it that it looks like it has a $100 million dollar budget. The production company that made it is now crowdfunding a sequel to the movie. The second movie, Space Command, is by Marc Zicree, who has been writing sci-fi books and TV shows for years now. His budget is much lower. I don’t know the exact amount, but I know he raised a little over $200k in his crowdfunding campaign. The rest he is raising from investors. From what little I’ve seen, since the movie isn’t finished yet, it looks like he’s got some really great-looking visual effects. So I know that putting great effects into a low-budget feature can definitely be done. These two movies prove it.

Both story analysts thought I was going to try to sell the story to a major studio. I’m not. It’s always been my intention to produce it myself. (I didn’t realize that I would end up writing it too.) I may take on partners, but I won’t just be handing it over for someone else to make. There are a few reasons for that:

  • A major studio wouldn’t hire Vince, Paul, and the rest of The Invisible Man cast. They’d cast A-listers instead, actors that they deem to be bankable. And that would pretty much negate every reason why I even started this project and got into this business.
  • As a fandom, we’ve already felt the pangs of falling in love with a show where we had no say in its future. If I was to simply sell the script to someone else, they would gain control of the project and we’d be back in the same boat as we were with The Invisible Man. The project could end up getting shelved and we would have no say in the matter.
  • They may not get it. An example of this that the SF analyst told me about is Buffy the Vampire Slayer. The movie script by Joss Whedon was taken out of his hands and put in the hands of a director that didn’t get it and it was pretty much a flop. However, the TV show was firmly in Joss’ hands and that became a huge success. I can’t tell you how many times I’ve had people in the business make suggestions that I know would never satisfy an I-Man fan. They don’t get it, but that’s okay, because I do. I know what I loved about the show; and I’ve done my best to put those qualities into my story. So any partners I take on will need to understand that.

In this business it is extremely easy to lose control of a project if one is not careful. From production companies that shelve scripts and never produce them to distribution companies that buy films and shelve them instead of distributing them. Remember what happened to Mike’s movie Idiocracy? So taking on the right partners will have to be done very carefully.

Since I’m making this movie primarily for I-Man fans (the ones who get it), I wanted to get their opinions about it. So I asked four fans if they would read and discuss the story with me and three of them accepted. I’ve already talked to two and I have one more that I need to talk to yet. So far, the response has been very positive. I heard from them what they liked and didn’t like and what they thought needed improvement, which was mostly really minor stuff. I’m not going to name who the fans are that read my treatment, but they are free to come forward if they wish. All three fans have signed non-disclosure agreements, so if they do come forward, please do not pressure them to disclose anything about the story. But they are free to tell you general info that doesn’t give the story away, such as if they think I got the tone right, what they liked about it, etc.

So where am I on the script? I have 40 pages of the first draft finished. I’m shooting for a pace of about a page a day and I’m behind. I should be on page 62, so I’m trying to get caught up.

I’m on page 14 of the treatment. At this pace I’m writing around three pages of script for every page of treatment. If that continues, with a 56-page treatment, I’ll have a 168-page script!  Way over the estimate of both story analysts! At a minute per page that translates to a two hour and forty-eight minute movie! Of course, the page count could come down once I hit the more dialog heavy parts of the treatment. We’ll just have to see what we end up with.

Frankly, I’m more concerned with writing a really good story than I am about page count at this point. When I first started writing the script I was using a great little free program called Trelby. It’s a pretty basic program but it gets the job done. Then I got a free copy of Final Draft, which is considered the industry standard. It’s full of bells and whistles and I still haven’t learned everything that it can do yet. But what’s interesting about the two programs is that in Trelby, I was getting around two pages of script for every page of treatment; and in Final Draft, I’m getting around three pages of script for every page of treatment. Trelby seems to condense everything a little more. So if I was using Trelby, I’d have a movie that was one hour and fifty-two minutes long.  See why I’m not too concerned about page count?

By the way, I want to give a big shout out of thanks to Jim Fleckenstein for the free copy of Final Draft! It just wasn’t in my budget to buy the program, so it was a wonderful surprise to get a free copy of it. Jim, also, has been very helpful when I needed an expert to look at some police radio dialog in my script. His law enforcement background came in very handy. The Invisible Man really does have the best cast, crew, and fans.

Before I make any sort of announcement about the movie’s name, I’m getting it trademarked. I don’t want to start advertising it and then find out that someone else has laid claim to it, so I have my lawyer working on that. I have one piece of artwork already drawn by a fan that will make a cute banner, wallpaper, or t-shirt graphic, but I’m holding off showing it until I get an okay from my lawyer. I’m also working on getting concept art done for the movie. I can’t wait till that is done and ready to show you.

So there is a lot going on. 2015 looks to be a very exciting and busy year! Thank you for being a part of it and supporting my efforts to feature our Invisible Man cast in a brand new story!

2011 to 2012: The Year in Review and the Coming Year

January is a good time to review the past year as well as lay out what the plans are for the coming year, so let’s start with last year first, shall we?

The year started out really promising.  We had barely finished the “Name the Movie Characters Contest” when I found out about the Dockers contest.  I hadn’t planned on entering a contest, especially since I just got done running one, but the prize of $100,000 was definitely tempting and would have provided some much needed seed money for the project.  Competing in that contest was a lot of fun and a lot of work.  All of you were awesome.  You voted your hearts out.  I could have never made it into the semi-finals without you.  And while I didn’t make it into the finals, I got some valuable experience producing my first video.  It wasn’t a cheap education (I’m still paying off the loan and will be for quite a while.), but it was a great learning experience.

Getting all the footage from the shoot has been quite a challenge this past year.    Those tapes have spent many long months going from one place to another without any results.  I finally found out that I had to have the original camera in order to get the footage digitized.  Without the camera nobody was able to transfer the footage from tape to digital.  The last of the footage (the audition tapes) is almost done, so soon I’ll finally be able to show you the fun behind-the-scenes footage and pictures and discuss the whole experience.

The rest of the year was supposed to be spent focusing on getting the story treatment finished.  Unfortunately, it just sort of fizzled.  Health problems got in the way.  You see, a while back I was diagnosed with a severe sleeping disorder.  At first I didn’t want to face the fact that I had a problem, but it became progressively worse and has really affected my ability to function during the day.  I get very little sleep at night and end up feeling like a walking zombie during the day.  I promise I don’t eat people, but I have been known to walk around in a daze and moan and groan sometimes.  But, seriously, if any of you have ever suffered from sleeplessness, you’ve got an inkling of what I’m dealing with.  Needless to say, it’s been a challenge being able to handle one job, let alone two, so, unfortunately, the film project has suffered and progress has been less than a snails pace.  I can’t tell you how frustrating this has been for me.  But the good news is that recently I started treatment for my condition.  It’s going slow, but I’m hopeful and looking forward to being able to function like a normal human being in the near future.

So now we get to this year.  I’ve started treatment for my sleep issues; I’m looking forward to getting a good night’s sleep and my energy back; and I’m impatient with the progress of this film project.  With that frame of mind, I happened to come across a class taught by a prominent screenwriting teacher that promises to “get your treatment done in ten weeks.”  So I signed up for it.  I thought this would be a good way to kick start this project and finally get the treatment done.  Am I being overly optimistic that I’ll be able to keep up with the class schedule?  Well, we’ll see.  I’m assuming that with time my sleep problems will improve; and it’s not like I’m having to do the homework all by myself.  I’ll be giving notes to my writer and the two of us will be working on the treatment together each week.

Class starts next week.  If everything goes according to plan, we’ll have a completed treatment by the beginning of April.  After that I will probably run the treatment by one or two other script analysts in order to get other opinions.  Once we have it finalized, I’ll be running it by one last person:  my lawyer.  When he clears it I will then be able to finally show it to the cast.  If they like it, I will instruct my screenwriter to begin writing the screenplay.  That will be a six-month project, according to our contract, which means we’ll have a completed screenplay by the end of the year!

During those six months when my writer is busy writing the screenplay, I’ll be starting the business plan, putting together a production team, and preparing to raise funding for the project.  Since this is a transmedia project, I’ll, also, be looking into ways to start marketing the project and grow the audience by means of other related media projects.

If everything goes as planned, this year should be an exciting year with a lot of progress being made toward the goal of getting the Invisible Man cast together.  I hope you’ll be here with me to watch the progress!


I-Man Scripts for Sale!

If you’ve always wanted to own an Invisible Man script or if you know anyone who would like to own one, today is your day!  Joan McCartney (formerly of Perseus Project) is selling some of her scripts!  Here’s what she has available:

Season One

  • Cat and Mouse
  • It Hurts When I Do This
  • Brother’s Keeper (writer’s draft, dated 5/10/02, autographed by Craig Silverstein)
  • Brother’s Keeper (revised writer’s draft, dated 2/21/01)
  • Diseased (autographed – hard to see – by Vince, Mike and Shannon)
  • Frozen in Time
  • Flowers for Hobbes (autographed by Dungeon Dan – special effects make up artist, with production notes on cover)

Season Two

  • Den of Thieves
  • Bad Chi
  • Immaterial Girl
  • Germ Theory
  • Mere Mortals

All scripts are $10.00 each plus shipping.  If you purchase all of them, they are $8.00 each plus shipping.

If you are interested in purchasing one or more scripts, please contact me via my website contact form.  I will forward all requests to Joan and she will reply and work out the details with you.

ADDENDUM: Please note that the scripts, and thus the autographs, are copies, not originals. Also, there is currently a waiting list for “Diseased.”


Craig Silverstein Named One of the Top 50 Power Showrunners for 2011!

We Invisible Man fans have always recognized the incredible talent of Craig Silverstein.  The I-Man episodes he wrote are always among our favorites.  He was even described as a young savant by one of the cast members (I forget which one.  Vince, I think?).  It’s been exciting to see Craig’s career skyrocket, although I have to admit that I would love to see Craig writing more I-Man.

Now Craig has been named one of the “Top 50 Power Showrunners 2011” by the Hollywood Reporter!  How cool is that?  It couldn’t happen to nicer or more talented guy.  Check out the write up in the Hollywood Reporter:

 http://www.hollywoodreporter.com/lists/craig-silverstein-247420

It’s hard enough to get one show on TV but, impressively, Craig has two shows currently on the air:  Nikita and Terra Nova!  Here’s a little bit of info about each of them.

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Nikita

The second season of Nikita is already underway. Craig is executive producer of the show and he’s been pretty active promoting the show.  He started giving us tidbits of info about the new season this summer during Comic-Con and the info keeps on coming. I’ve compiled a bunch of these recent videos from around the web of our favorite I-Man writer himself talking about Nikita.

Comic-Con Interviews

Comic-Con Panel

Craig Silverstein and Shane West

Episode Previews

Nikita airs Fridays at 8 p.m./7 p.m. Central on the CW.  Be sure to check your local listings for the time and channel in your area.

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Terra Nova 

Craig also is an executive producer on the new sci-fi series, Terra Nova.  According to the Hollywood Reporter, he is credited with being one of the co-creators, although I’m not sure how much actual hands on day-to-day involvement he has with the series.

The sci-fi lover in me is really starting to enjoy this series.  Have any of you been watching it?  If not, you might want to give it a try.  It airs on Mondays at 8 p.m./7 p.m. Central on FOX (again, check your local listings).

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2011 has turned into a very good year for Craig with two successful series concurrently on the air and being named one of the Top 50 Power Showrunners.

Congratulations, Craig!



Transmedia Storytelling

If you’ve never heard the term “transmedia” before, you’re not alone.  There are still quite a few people in the film industry that haven’t heard of it either.  Transmedia storytelling is more than just telling a story on various media platforms. It’s about telling the elements of a story across various media platforms with each of them making a contribution to the whole.  So, for instance, a graphic novel can be used to tell back-story, a video game can be used to explore the story world, and a website can give you more information about a particular character.  With the advent of new digital platforms such as smart phones and tablets, there are even more ways of telling a story than ever before.

Not all stories lend themselves to transmedia storytelling, but at a time when pirating and inexpensive viewing platforms such as Netflix (even with the recent price increase) and Redbox are eating more and more into profits, producers are looking for alternatives to make their projects profitable.  The big studios are concerned about this problem, but for independent producers the problem is even more serious because it can mean the difference between staying and going out of business.  We simply don’t have the cushion that the big guys have.  So, for me, transmedia storytelling is not only a creative decision, it’s, also, a financial one.

As a fan turned producer, I’m excited about the prospect of reuniting the cast of The Invisible Man.  I’m a huge fan of the show and the cast; and even though I’m disappointed that I couldn’t get the rights to the show, I’m still very excited to bring the cast together again and show off that great chemistry that we all know they have.  But I’m hoping that this movie won’t be just a one-shot deal for this cast.  As long as they are willing, I want to see them do multiple movies.  Or maybe a TV or web series.

But in order for that to happen I have to do everything in my power to make this project profitable (or at the very least make its money back).  If the first movie flops, it’s highly unlikely that any investors are going to want to fund future projects with this cast.  But if my investors are making money, then it’s more likely that they’ll want to fund future projects.  How cool would that be?

While a big part of my decision to do a transmedia project is financially motivated, it’s, also, a great way to tell a story.  I recently finished writing the first draft of a new concept section of the story bible.  It’s a known concept that I haven’t seen anyone else use in quite the same way as I am, similar to how I-Man took a known concept—invisibility—and used it in a way that we had never seen before.  The back-story and mythology of my story is so big that it easily lends itself to being a transmedia project.

As I’m writing the story bible, I’m having to think not only of the feature film, but how everything fits together in the bigger story world, which include both past and future stories.  It’s fun, but it, also, makes the project more challenging to write because it all has to fit together and make sense…well, as much sense as a story that is science fiction can make.

The center of the story is, of course, the movie featuring the I-Man cast.  In addition to that I’m considering doing prequel webisodes that delve into the history of the story world.  Depending on how fundraising goes, I may end up having to do some webisodes or perhaps a scene or two from the movie first to help build up the audience to a level that justifies my budget.

Wait a minute, didn’t The Invisible Man have a worldwide audience of millions?  Yes, it did—approximately ten million from what I’ve heard.  The challenge is, however, in reaching all those people and letting them know what I’m working on.  Will all those people who watched I-Man want to watch this movie?  Hopefully they will, but some might not be interested in it because it’s not I-Man.  Although, I do hope they will give it a chance because, after all, I am developing this story with I-Man fans in mind.  So I may have to do the work it takes to find the audience first before we can shoot the movie; unless, of course, I get lucky and find the money right away.  I’ll just have to see what happens and make adjustments to my plans accordingly.

In addition to webisodes, I want to, at the minimum, create a video game, a graphic novel, and several websites to enhance the story experience.  Some other transmedia platforms I’m considering are apps for smart phones and tablets, books, comic books, and blogs, etc.  And, of course, I want to do merchandising.

It’s lot to think about, but right now when I’m in the story development stage is the time to think about and plan for such things.  If there is anything you would like to see developed for this project, let me know.  I’ll consider all suggestions!


Moving Forward

If you’ve been keeping up with my Facebook or Twitter feeds, you know, unfortunately, that we didn’t make it into the finals of the Dockers contest. If you’re reading it here for the first time then, yeah, I’m disappointed too. I put a lot of work and money into that contest and I know you guys voted your little hearts out to get me into the semifinals, but those are the breaks.  Sometimes you win the battles and sometimes you don’t; but don’t believe for a minute that we’ve lost the war.

I’m reminded of something I heard several years ago regarding the film business: Expect to get 100 no’s for every yes.  If one isn’t able to deal with that, then they shouldn’t be in this business.

Like any good story the protagonist must overcome obstacle after obstacle, some of them seeming insurmountable, before reaching his or her final goal. This is just another obstacle in our story. The quest to reunite the cast of The Invisible Man lives on!

I have no regrets about the entering the contest.  I really don’t.  It was a wonderful (albeit exhausting) and much needed learning experience for me and I was able to show that, yes indeed, I can pull together a production.  There is only so much one can learn from books and classes.  One really needs to just get out there and do it.  As a result, I have footage that I can use for other purposes.  Yep, it won’t go to waste.  For example, I can re-cut it and use it to create a crowdfunding video.  Crowdfunding, in fact, is most likely the next step that I’m going to be taking in the future to raise the seed money I need to get this project off the ground.  I don’t have much of a choice.  I’m personally tapped out.  It’ll take me years to pay back that bank loan I took out to fund the video.

But first I need to finish the story.  It’s been sitting idle for far too long and my screenwriter has been infinitely patient with me as I dealt with reprecussions from my auto accident, holding the Name the Movie Characters Contest, my computer dying, and then entering the Dockers contest.  Now I really need to focus on getting the story done because no story…no movie. 

There is one advantage, however, to letting the story sit for so long and that is that I’ve had a long time to think about it.  There’s a bit of screenwriting advice that I heard once and that is that after you’ve written the first draft, put the story away for a month or two or six and then come back to it because, although it may seem perfect when you finished that first draft, you’ll really see its flaws after you’ve been away from it for a while.  I can really see the wisdom in that advice because I see flaws now that I didn’t see previously.  Scenes that I was absolutely in love with will have to go because they really don’t serve the story and its theme.  That’s hard, but it has to be done.

Before I tackle the treatment, however, I need to get the story bible done.  Getting the characters fleshed out, the pseudoscience in place, and the back story done are a vital foundation for the story.  It’s absolutely needed in order to keep everything consistent.

I promised you pictures and a behind-the-scenes look at the making of our video and I haven’t forgotten.  I just need to still get the pictures and footage.  I, also, wanted to wait until you actually got to see the video, which is now posted on Facebook and on the home page of this website.

So go watch it and tell me what you think.  If you like it great, but if not, tell me why.  I do appreciate constructive criticism.  How can I learn and grow as a filmmaker without it?!

Countdown to Monday

Recently, I had pretty much resigned myself to not getting into the finals of the contest.  The deadline for turning in the releases and other paperwork had come and gone and I had heard nothing from Dockers.  So I went back and read the rules again trying to see if maybe I missed something.  (The rules are written rather loosely and open to interpretation.)  Well, in parentheses there are two words: “if requested” that could be interpreted as meaning that Dockers might choose not to ask for upfront paperwork.  If that was so, I still had a chance.

I’ve been monitoring the conversations on Facebook and Twitter and other semi-finalists have also been wondering if the top five had been notified yet, but there was no answer from Dockers.  The only reply we’ve been getting from Dockers is that they would let everyone know who the top five were on Monday the 25th.

Until recently. 

The other day one semi-finalist asked on Twitter if “the top 5 already know they are in the top 5?”  The answer back from Dockers:  “No they do not.”

Whew!  That’s great news!  That means I still have a shot of being in the top five!

In two days we will find out for sure.  If I do make it, please be prepared to vote again because we will only have five days to vote and each person will only be able to vote once per day.  That means only five votes per person!  Yikes!

So please stay tuned for this coming Monday (April 25) for the results.  Let’s hope that Dockers thinks that reuniting the cast of The Invisible Man is as great a project as we think it is!

The Waiting Game

Wow, it’s been an extremely hectic few weeks since I last updated you about the contest and my submission.  I didn’t mean to let my blogging updates go this long, but it’s been crazy busy.  Fortunately, things are starting to wind down a bit, although I’m still wrapping up loose ends from the shoot.  The cast’s and crew’s jobs may have ended already, but producers are still on the job long after wrap is called.  Yep, no rest for the producer!

I already posted the big news on Facebook and Twitter a few weeks ago, but have been too freakin’ busy to post it here so, if for some reason you haven’t heard the big news yet, here it is:  I am definitely a semi-finalist in the Dockers Wear the Pants contest! 

I have all of you to thank for that.  Seriously, I couldn’t have gotten this far without all of you who tirelessly voted for me daily for all those weeks.  You guys totally rock!  And I’m making sure to let the cast know that it was your support that got me into this position.  Fans from not only the US, but, also, the UK, France, Italy, Serbia, the Netherlands, the Ukraine, Russia, Canada, Mexico, Brazil, Australia, etc. all supported the project with their votes.  We are very much an international group!  How cool is that?!

So what’s next?

Well, according to the rules, Dockers should pick their top five by around April 6 or so and send them releases and other paperwork to fill out.  Now I haven’t heard anything from them yet, but that doesn’t necessarily mean anything at this point.  They’ve been running a few days late this entire contest, so I’m still holding out hope that I’m one of the top five.  The judges are judging the submissions based on the criteria of originality, creativity, and suitability to represent the Dockers Brand.  Based on what I’ve seen from the other contestants, I definitely have one of the top projects when it comes to originality and creativity.  As far as suitability to represent the Dockers Brand…well, that’s subjective and only the judges really know what they are looking for.

Now if I was a major company like Dockers, I would definitely be looking at projects that have the possibility of worldwide exposure, which this project has.  Movie audiences are worldwide and we already know that millions watched The Invisible Man around the globe.  Tapping into that audience by partnering with a movie could be a smart move for them. 

But is a sci-fi movie produced by a fan the kind of image they want?  Hard to say.  The video we shot definitely had more of a fun and humorous tone to it and I love it.  But in the back of my mind I keep thinking, are they looking for something with more of a cool sophisticated vibe?  Is what we shot too geeky?  Yeah, I can drive myself crazy second guessing myself.  But when it comes right down to it, I’m proud of what we shot.  My director, Sandra Myers, and the entire cast and crew all did a fantastic job and poured their hearts into it.  It shows in the quality of their work!  I can’t begin to thank them for their help with this shoot.  Filmmaking is definitely a team sport and I had an awesome team!  I’d be more than happy to work with any of them again in the future.

Whatever happens with this contest, I now know that, if need be, I can pull together a quality shoot on a low budget and a tight timeline.  And I did it on my very first shoot!  That said, I hope I never have to pull a shoot together that quickly.  Seriously.  It’s exhausting.  I was literally getting three or four hours of sleep most nights.  I’m way too old for that kind of physical abuse.  But, if I can produce a small shoot under those circumstances, I know I can definitely handle a bigger project…like a feature film.

I can’t show you the video we shot just yet.  I wish I could, but Dockers requires that submissions be original and not previously published, so I have to wait and see what the outcome of this competition will be before I can share that with you.  At this point, I’ve put too much into the project to risk being disqualified.

I’ve got a lot of blogging to do to catch all of you up on the details of what’s been happening these past few weeks.  We, also, took behind-the-scenes footage and photos that I still need to get and share with all of you.  I mean we’ve got some really cool stuff.  I can’t wait to show you.  So stay tuned!