2011 to 2012: The Year in Review and the Coming Year

January is a good time to review the past year as well as lay out what the plans are for the coming year, so let’s start with last year first, shall we?

The year started out really promising.  We had barely finished the “Name the Movie Characters Contest” when I found out about the Dockers contest.  I hadn’t planned on entering a contest, especially since I just got done running one, but the prize of $100,000 was definitely tempting and would have provided some much needed seed money for the project.  Competing in that contest was a lot of fun and a lot of work.  All of you were awesome.  You voted your hearts out.  I could have never made it into the semi-finals without you.  And while I didn’t make it into the finals, I got some valuable experience producing my first video.  It wasn’t a cheap education (I’m still paying off the loan and will be for quite a while.), but it was a great learning experience.

Getting all the footage from the shoot has been quite a challenge this past year.    Those tapes have spent many long months going from one place to another without any results.  I finally found out that I had to have the original camera in order to get the footage digitized.  Without the camera nobody was able to transfer the footage from tape to digital.  The last of the footage (the audition tapes) is almost done, so soon I’ll finally be able to show you the fun behind-the-scenes footage and pictures and discuss the whole experience.

The rest of the year was supposed to be spent focusing on getting the story treatment finished.  Unfortunately, it just sort of fizzled.  Health problems got in the way.  You see, a while back I was diagnosed with a severe sleeping disorder.  At first I didn’t want to face the fact that I had a problem, but it became progressively worse and has really affected my ability to function during the day.  I get very little sleep at night and end up feeling like a walking zombie during the day.  I promise I don’t eat people, but I have been known to walk around in a daze and moan and groan sometimes.  But, seriously, if any of you have ever suffered from sleeplessness, you’ve got an inkling of what I’m dealing with.  Needless to say, it’s been a challenge being able to handle one job, let alone two, so, unfortunately, the film project has suffered and progress has been less than a snails pace.  I can’t tell you how frustrating this has been for me.  But the good news is that recently I started treatment for my condition.  It’s going slow, but I’m hopeful and looking forward to being able to function like a normal human being in the near future.

So now we get to this year.  I’ve started treatment for my sleep issues; I’m looking forward to getting a good night’s sleep and my energy back; and I’m impatient with the progress of this film project.  With that frame of mind, I happened to come across a class taught by a prominent screenwriting teacher that promises to “get your treatment done in ten weeks.”  So I signed up for it.  I thought this would be a good way to kick start this project and finally get the treatment done.  Am I being overly optimistic that I’ll be able to keep up with the class schedule?  Well, we’ll see.  I’m assuming that with time my sleep problems will improve; and it’s not like I’m having to do the homework all by myself.  I’ll be giving notes to my writer and the two of us will be working on the treatment together each week.

Class starts next week.  If everything goes according to plan, we’ll have a completed treatment by the beginning of April.  After that I will probably run the treatment by one or two other script analysts in order to get other opinions.  Once we have it finalized, I’ll be running it by one last person:  my lawyer.  When he clears it I will then be able to finally show it to the cast.  If they like it, I will instruct my screenwriter to begin writing the screenplay.  That will be a six-month project, according to our contract, which means we’ll have a completed screenplay by the end of the year!

During those six months when my writer is busy writing the screenplay, I’ll be starting the business plan, putting together a production team, and preparing to raise funding for the project.  Since this is a transmedia project, I’ll, also, be looking into ways to start marketing the project and grow the audience by means of other related media projects.

If everything goes as planned, this year should be an exciting year with a lot of progress being made toward the goal of getting the Invisible Man cast together.  I hope you’ll be here with me to watch the progress!


I-Man Scripts for Sale!

If you’ve always wanted to own an Invisible Man script or if you know anyone who would like to own one, today is your day!  Joan McCartney (formerly of Perseus Project) is selling some of her scripts!  Here’s what she has available:

Season One

  • Cat and Mouse
  • It Hurts When I Do This
  • Brother’s Keeper (writer’s draft, dated 5/10/02, autographed by Craig Silverstein)
  • Brother’s Keeper (revised writer’s draft, dated 2/21/01)
  • Diseased (autographed – hard to see – by Vince, Mike and Shannon)
  • Frozen in Time
  • Flowers for Hobbes (autographed by Dungeon Dan – special effects make up artist, with production notes on cover)

Season Two

  • Den of Thieves
  • Bad Chi
  • Immaterial Girl
  • Germ Theory
  • Mere Mortals

All scripts are $10.00 each plus shipping.  If you purchase all of them, they are $8.00 each plus shipping.

If you are interested in purchasing one or more scripts, please contact me via my website contact form.  I will forward all requests to Joan and she will reply and work out the details with you.

ADDENDUM: Please note that the scripts, and thus the autographs, are copies, not originals. Also, there is currently a waiting list for “Diseased.”


Craig Silverstein Named One of the Top 50 Power Showrunners for 2011!

We Invisible Man fans have always recognized the incredible talent of Craig Silverstein.  The I-Man episodes he wrote are always among our favorites.  He was even described as a young savant by one of the cast members (I forget which one.  Vince, I think?).  It’s been exciting to see Craig’s career skyrocket, although I have to admit that I would love to see Craig writing more I-Man.

Now Craig has been named one of the “Top 50 Power Showrunners 2011” by the Hollywood Reporter!  How cool is that?  It couldn’t happen to nicer or more talented guy.  Check out the write up in the Hollywood Reporter:

 http://www.hollywoodreporter.com/lists/craig-silverstein-247420

It’s hard enough to get one show on TV but, impressively, Craig has two shows currently on the air:  Nikita and Terra Nova!  Here’s a little bit of info about each of them.

_________________________________________________

Nikita

The second season of Nikita is already underway. Craig is executive producer of the show and he’s been pretty active promoting the show.  He started giving us tidbits of info about the new season this summer during Comic-Con and the info keeps on coming. I’ve compiled a bunch of these recent videos from around the web of our favorite I-Man writer himself talking about Nikita.

Comic-Con Interviews

Comic-Con Panel

Craig Silverstein and Shane West

Episode Previews

Nikita airs Fridays at 8 p.m./7 p.m. Central on the CW.  Be sure to check your local listings for the time and channel in your area.

__________________________________________________

Terra Nova 

Craig also is an executive producer on the new sci-fi series, Terra Nova.  According to the Hollywood Reporter, he is credited with being one of the co-creators, although I’m not sure how much actual hands on day-to-day involvement he has with the series.

The sci-fi lover in me is really starting to enjoy this series.  Have any of you been watching it?  If not, you might want to give it a try.  It airs on Mondays at 8 p.m./7 p.m. Central on FOX (again, check your local listings).

__________________________________________________

2011 has turned into a very good year for Craig with two successful series concurrently on the air and being named one of the Top 50 Power Showrunners.

Congratulations, Craig!



Transmedia Storytelling

If you’ve never heard the term “transmedia” before, you’re not alone.  There are still quite a few people in the film industry that haven’t heard of it either.  Transmedia storytelling is more than just telling a story on various media platforms. It’s about telling the elements of a story across various media platforms with each of them making a contribution to the whole.  So, for instance, a graphic novel can be used to tell back-story, a video game can be used to explore the story world, and a website can give you more information about a particular character.  With the advent of new digital platforms such as smart phones and tablets, there are even more ways of telling a story than ever before.

Not all stories lend themselves to transmedia storytelling, but at a time when pirating and inexpensive viewing platforms such as Netflix (even with the recent price increase) and Redbox are eating more and more into profits, producers are looking for alternatives to make their projects profitable.  The big studios are concerned about this problem, but for independent producers the problem is even more serious because it can mean the difference between staying and going out of business.  We simply don’t have the cushion that the big guys have.  So, for me, transmedia storytelling is not only a creative decision, it’s, also, a financial one.

As a fan turned producer, I’m excited about the prospect of reuniting the cast of The Invisible Man.  I’m a huge fan of the show and the cast; and even though I’m disappointed that I couldn’t get the rights to the show, I’m still very excited to bring the cast together again and show off that great chemistry that we all know they have.  But I’m hoping that this movie won’t be just a one-shot deal for this cast.  As long as they are willing, I want to see them do multiple movies.  Or maybe a TV or web series.

But in order for that to happen I have to do everything in my power to make this project profitable (or at the very least make its money back).  If the first movie flops, it’s highly unlikely that any investors are going to want to fund future projects with this cast.  But if my investors are making money, then it’s more likely that they’ll want to fund future projects.  How cool would that be?

While a big part of my decision to do a transmedia project is financially motivated, it’s, also, a great way to tell a story.  I recently finished writing the first draft of a new concept section of the story bible.  It’s a known concept that I haven’t seen anyone else use in quite the same way as I am, similar to how I-Man took a known concept—invisibility—and used it in a way that we had never seen before.  The back-story and mythology of my story is so big that it easily lends itself to being a transmedia project.

As I’m writing the story bible, I’m having to think not only of the feature film, but how everything fits together in the bigger story world, which include both past and future stories.  It’s fun, but it, also, makes the project more challenging to write because it all has to fit together and make sense…well, as much sense as a story that is science fiction can make.

The center of the story is, of course, the movie featuring the I-Man cast.  In addition to that I’m considering doing prequel webisodes that delve into the history of the story world.  Depending on how fundraising goes, I may end up having to do some webisodes or perhaps a scene or two from the movie first to help build up the audience to a level that justifies my budget.

Wait a minute, didn’t The Invisible Man have a worldwide audience of millions?  Yes, it did—approximately ten million from what I’ve heard.  The challenge is, however, in reaching all those people and letting them know what I’m working on.  Will all those people who watched I-Man want to watch this movie?  Hopefully they will, but some might not be interested in it because it’s not I-Man.  Although, I do hope they will give it a chance because, after all, I am developing this story with I-Man fans in mind.  So I may have to do the work it takes to find the audience first before we can shoot the movie; unless, of course, I get lucky and find the money right away.  I’ll just have to see what happens and make adjustments to my plans accordingly.

In addition to webisodes, I want to, at the minimum, create a video game, a graphic novel, and several websites to enhance the story experience.  Some other transmedia platforms I’m considering are apps for smart phones and tablets, books, comic books, and blogs, etc.  And, of course, I want to do merchandising.

It’s lot to think about, but right now when I’m in the story development stage is the time to think about and plan for such things.  If there is anything you would like to see developed for this project, let me know.  I’ll consider all suggestions!


Moving Forward

If you’ve been keeping up with my Facebook or Twitter feeds, you know, unfortunately, that we didn’t make it into the finals of the Dockers contest. If you’re reading it here for the first time then, yeah, I’m disappointed too. I put a lot of work and money into that contest and I know you guys voted your little hearts out to get me into the semifinals, but those are the breaks.  Sometimes you win the battles and sometimes you don’t; but don’t believe for a minute that we’ve lost the war.

I’m reminded of something I heard several years ago regarding the film business: Expect to get 100 no’s for every yes.  If one isn’t able to deal with that, then they shouldn’t be in this business.

Like any good story the protagonist must overcome obstacle after obstacle, some of them seeming insurmountable, before reaching his or her final goal. This is just another obstacle in our story. The quest to reunite the cast of The Invisible Man lives on!

I have no regrets about the entering the contest.  I really don’t.  It was a wonderful (albeit exhausting) and much needed learning experience for me and I was able to show that, yes indeed, I can pull together a production.  There is only so much one can learn from books and classes.  One really needs to just get out there and do it.  As a result, I have footage that I can use for other purposes.  Yep, it won’t go to waste.  For example, I can re-cut it and use it to create a crowdfunding video.  Crowdfunding, in fact, is most likely the next step that I’m going to be taking in the future to raise the seed money I need to get this project off the ground.  I don’t have much of a choice.  I’m personally tapped out.  It’ll take me years to pay back that bank loan I took out to fund the video.

But first I need to finish the story.  It’s been sitting idle for far too long and my screenwriter has been infinitely patient with me as I dealt with reprecussions from my auto accident, holding the Name the Movie Characters Contest, my computer dying, and then entering the Dockers contest.  Now I really need to focus on getting the story done because no story…no movie. 

There is one advantage, however, to letting the story sit for so long and that is that I’ve had a long time to think about it.  There’s a bit of screenwriting advice that I heard once and that is that after you’ve written the first draft, put the story away for a month or two or six and then come back to it because, although it may seem perfect when you finished that first draft, you’ll really see its flaws after you’ve been away from it for a while.  I can really see the wisdom in that advice because I see flaws now that I didn’t see previously.  Scenes that I was absolutely in love with will have to go because they really don’t serve the story and its theme.  That’s hard, but it has to be done.

Before I tackle the treatment, however, I need to get the story bible done.  Getting the characters fleshed out, the pseudoscience in place, and the back story done are a vital foundation for the story.  It’s absolutely needed in order to keep everything consistent.

I promised you pictures and a behind-the-scenes look at the making of our video and I haven’t forgotten.  I just need to still get the pictures and footage.  I, also, wanted to wait until you actually got to see the video, which is now posted on Facebook and on the home page of this website.

So go watch it and tell me what you think.  If you like it great, but if not, tell me why.  I do appreciate constructive criticism.  How can I learn and grow as a filmmaker without it?!

Countdown to Monday

Recently, I had pretty much resigned myself to not getting into the finals of the contest.  The deadline for turning in the releases and other paperwork had come and gone and I had heard nothing from Dockers.  So I went back and read the rules again trying to see if maybe I missed something.  (The rules are written rather loosely and open to interpretation.)  Well, in parentheses there are two words: “if requested” that could be interpreted as meaning that Dockers might choose not to ask for upfront paperwork.  If that was so, I still had a chance.

I’ve been monitoring the conversations on Facebook and Twitter and other semi-finalists have also been wondering if the top five had been notified yet, but there was no answer from Dockers.  The only reply we’ve been getting from Dockers is that they would let everyone know who the top five were on Monday the 25th.

Until recently. 

The other day one semi-finalist asked on Twitter if “the top 5 already know they are in the top 5?”  The answer back from Dockers:  “No they do not.”

Whew!  That’s great news!  That means I still have a shot of being in the top five!

In two days we will find out for sure.  If I do make it, please be prepared to vote again because we will only have five days to vote and each person will only be able to vote once per day.  That means only five votes per person!  Yikes!

So please stay tuned for this coming Monday (April 25) for the results.  Let’s hope that Dockers thinks that reuniting the cast of The Invisible Man is as great a project as we think it is!

The Waiting Game

Wow, it’s been an extremely hectic few weeks since I last updated you about the contest and my submission.  I didn’t mean to let my blogging updates go this long, but it’s been crazy busy.  Fortunately, things are starting to wind down a bit, although I’m still wrapping up loose ends from the shoot.  The cast’s and crew’s jobs may have ended already, but producers are still on the job long after wrap is called.  Yep, no rest for the producer!

I already posted the big news on Facebook and Twitter a few weeks ago, but have been too freakin’ busy to post it here so, if for some reason you haven’t heard the big news yet, here it is:  I am definitely a semi-finalist in the Dockers Wear the Pants contest! 

I have all of you to thank for that.  Seriously, I couldn’t have gotten this far without all of you who tirelessly voted for me daily for all those weeks.  You guys totally rock!  And I’m making sure to let the cast know that it was your support that got me into this position.  Fans from not only the US, but, also, the UK, France, Italy, Serbia, the Netherlands, the Ukraine, Russia, Canada, Mexico, Brazil, Australia, etc. all supported the project with their votes.  We are very much an international group!  How cool is that?!

So what’s next?

Well, according to the rules, Dockers should pick their top five by around April 6 or so and send them releases and other paperwork to fill out.  Now I haven’t heard anything from them yet, but that doesn’t necessarily mean anything at this point.  They’ve been running a few days late this entire contest, so I’m still holding out hope that I’m one of the top five.  The judges are judging the submissions based on the criteria of originality, creativity, and suitability to represent the Dockers Brand.  Based on what I’ve seen from the other contestants, I definitely have one of the top projects when it comes to originality and creativity.  As far as suitability to represent the Dockers Brand…well, that’s subjective and only the judges really know what they are looking for.

Now if I was a major company like Dockers, I would definitely be looking at projects that have the possibility of worldwide exposure, which this project has.  Movie audiences are worldwide and we already know that millions watched The Invisible Man around the globe.  Tapping into that audience by partnering with a movie could be a smart move for them. 

But is a sci-fi movie produced by a fan the kind of image they want?  Hard to say.  The video we shot definitely had more of a fun and humorous tone to it and I love it.  But in the back of my mind I keep thinking, are they looking for something with more of a cool sophisticated vibe?  Is what we shot too geeky?  Yeah, I can drive myself crazy second guessing myself.  But when it comes right down to it, I’m proud of what we shot.  My director, Sandra Myers, and the entire cast and crew all did a fantastic job and poured their hearts into it.  It shows in the quality of their work!  I can’t begin to thank them for their help with this shoot.  Filmmaking is definitely a team sport and I had an awesome team!  I’d be more than happy to work with any of them again in the future.

Whatever happens with this contest, I now know that, if need be, I can pull together a quality shoot on a low budget and a tight timeline.  And I did it on my very first shoot!  That said, I hope I never have to pull a shoot together that quickly.  Seriously.  It’s exhausting.  I was literally getting three or four hours of sleep most nights.  I’m way too old for that kind of physical abuse.  But, if I can produce a small shoot under those circumstances, I know I can definitely handle a bigger project…like a feature film.

I can’t show you the video we shot just yet.  I wish I could, but Dockers requires that submissions be original and not previously published, so I have to wait and see what the outcome of this competition will be before I can share that with you.  At this point, I’ve put too much into the project to risk being disqualified.

I’ve got a lot of blogging to do to catch all of you up on the details of what’s been happening these past few weeks.  We, also, took behind-the-scenes footage and photos that I still need to get and share with all of you.  I mean we’ve got some really cool stuff.  I can’t wait to show you.  So stay tuned!

Countdown: One Week!

We’re in the final stretch, folks!  Less than a week till Round 1 ends!  Now Dockers gave the impression that they were going to post the vote leaders, but they never did.  So I decided to take matters into my own hands and find out where we stand in this contest.  I risked carpal tunnel syndrome and went through all 3,000 entries!  Whew!  And I have the sore neck, shoulder, arm, and wrist to prove it!  So what’s the verdict?

Well, it’s good news and bad news.  The good news is that we are definitely in the top 50!  Out of 3,000  or so entries that’s something to be very proud of!  And it’s because of all of you voting every day and trying to help spread the word, and, heck, even recruiting your family to vote!  So where are we?  Currently, we are number 32.  That’s the bad news, because as I went through each entry, I found more entries that had more votes than we have and it pushed us down the list.  But it’s not terrible news and I’m certainly not going to complain about where we are in this contest.  Do I wish we were in the top five?  Of course.  But considering all the problems we’ve had trying to get the word out to other fans (with the broken fan club mailing list and Facebook blocking me from friending other I-Man fans), I’d say we’re doing pretty good.

But this last week is especially dangerous for us.  The most motivated contestants and their supporters are in this top 50 and they are pushing very hard, so we need to keep pushing just as hard lest we keep dropping and fall out of the top 50.  I’m afraid to say it could happen.  Behind us there are contestants who have more voters than we have and could theoretically pass us by.  One contestant, another filmmaker no less, has been right on our tail for several days now.  Today he passed us up…not because he has a better project or a loyal established fan base, he doesn’t; but because he’s been vote trading with other contestants.  In fact, a lot of contestants have been vote trading. 

It’s not against the rules (I checked), but it is a flawed strategy because they are voting for the very people they are competing against.  Also, the way the app is designed, someone could vote once for someone just to get their picture on their page and then come back every day and leave a message on their page saying they voted again when they really didn’t.  The contestant would really have no way of knowing for sure.  I’d like to think that all the contestants are honorable, but I live in the real world and wouldn’t be surprised if some honorable contestants are being suckered by less honorable contestants.  So I’m not playing the vote trading game. 

Besides, when I contact the cast and tell them we made it into the top 50, I’ll be able to proudly say that it was the I-Man fans who got us there and not because I was trading votes with the competition.  And I do have to, also, give a shout out of thanks to all my family members, friends, and fellow filmmakers who have also been tirelessly voting every day.  All of you have been wonderful in your support!  Thank you so much!

Contest Submissions Progress

Friday, my director and I sat down and hammered out the cast list, which is basically a list of all the roles in the video and what type of actor we were looking to cast in each role.  The next day I posted the roles on SF Casting and, after being approved, they went live on Monday morning.  Within hours I literally had hundreds of submissions from actors!  So I’ve been combing through them trying to find actors who fit what we are looking for.  Tomorrow I’m going to finish that up and then contact the chosen actors and invite them to the audition, which is being held in Pleasanton, California, this Saturday.

Monday afternoon, my director and I visited the studio we are planning on using.  It’s also located in Pleasanton and run by some really nice people.  We’re shooting in a studio because I wanted a plain white backdrop for the video.  This will put the focus on the actors without the distraction of any background and give the video a clean uncluttered look.  To get that kind of background you need to use a studio with a cyclorama, which is basically a wall with rounded corners, so you don’t see any hard edges.  Another advantage of using a studio is that we won’t have to move from location to location.  We’ll be able to do all the scenes on one sound stage and just change a few props, actors, and lights. 

With a small low-budget production like this, I’m doing much more than just producing.  I’m also playing financier, accountant, casting director, costumer, and prop master; and I’m sure my roles will expand even more in the days to come.  Today I ran around to various businesses looking for the costumes and props that we will need.  I struck out at a few places, but managed to find a couple of places that can give me just what I am looking for.

It’s getting late and I need to sign off now but, remember, keep voting!

Two Weeks to Go!

Can you believe there are only two weeks left of voting for Round 1 of this competition?  Yikes!  So how are we doing?  Well, in one week we went from 40 people voting and 95 votes to 111 people voting and 341 votes!  We more than doubled the number of voters we have and we more than tripled the number of votes!  Way to go!

But the big question is, how are we stacking up against the competition?  Last week I found 33 entries with more votes than we have.  We plowed right past about a dozen or so entries that seemed to have started out pretty strong, but then fizzled out.  And we are getting very close to passing by four more.  But then I found a few more entries that were in front of us.  So as of today, there are 25 entries that I know of with more votes than us.  While it is very encouraging that we appear to be moving up, please keep in mind that I haven’t seen all the entries and have no idea how many that I haven’t seen have more votes than us.  Also, I’ve found at least three entries that started after us and have passed us by.  So we need to keep voting every single day and we need to keep finding more voters! 

To see how we stack up against the top players, here’s how the top ten entries (that I know of) are doing:

  • 3,235 votes, 706 voters
  • 1,334 votes, 299 voters
  • 1,283 votes, 156 voters
  • 1,025 votes, 269 voters
  • 958 votes, 145 voters
  • 898 votes, 111 voters
  • 895 votes, 196 voters
  • 863 votes, 181 voters
  • 722 votes, 96 voters
  • 721 votes, 151 voters

So please don’t get complacent!  We’ve got a ways to go yet!  We need every vote!

Joyce, our I-Maniac fan club president, is currently moving the fan club mailing list to a more reliable program.  So if you get an email from her, be sure you opt in.  She’ll be sending out an announcement about this contest as folks opt in.  Some of the email addresses no longer work, so if you have contact with an I-Maniac that may not be aware of this contest, please lend a hand and let them know about it.

I attended a United Filmmakers Association mixer over a week ago and was able to get a free copy of the Reel Directory, which is the Northern California version of the Hollywood Creative Directory.  Basically, it’s a directory of services and everyone in the business from audio post facilities to production equipment to stunt equipment rentals to traffic and crowd control services…virtually everything you could possibly think of and would need to make a movie.  I’ve used it to start calling around to studios and getting rental rates for the video we’re shooting.  My director is prepping for another shoot right now, but we’ll be meeting again on Friday.  I’m happy to say that my financing came through, so this video is officially green lit!

I’m also starting to get quotes from artists and will be commissioning some custom artwork as part of my submission.  Exciting stuff!

The contest requires that if I use any third party’s name, I must have a signed release from them.  This weekend, I got emails from Paul Ben-Victor, Eddie Jones, and Mike McCafferty and I talked on the phone to Vincent Ventresca on Sunday.  All these wonderful guys are very willing to sign a release so that I can use their names when entering my submissions into the contest!  Vince is contacting Shannon for me and I’m still waiting to hear from her.  Do you realize how lucky we are to have such a supportive cast?  I can’t think of another cast that would do what these guys do.    

There is still so much to do and it’s going to get crazy.  Please don’t mind me if you see me wearing a straight jacket in the near future!

Dockers Contest Update

I just got back from a meeting with a director friend of mine.  I’m very happy to say that she has agreed to direct my video submission for the Dockers contest!  Dockers requires that the entrants that make it into the next round submit either a video and/or photos as well as a written essay.  When round one ends contestants are given only ten days to get their submissions in.  That’s not much time, so we’ve got to start now and pull this together very quickly even though I don’t know at this point whether I will make it into the top 50 or not.

This afternoon I typed up a first draft outline of my idea and gave her a copy.  We talked about locations versus a studio, equipment, scenes, actors, and the general look of the video.  She had some really great creative ideas that will save me some money.  Speaking of money, we’re going to have to keep the costs really low, but I’m still going to have to come up with some money to fund this, which is going to be a challenge since I’m broke right now.  So finding the funding is going to be my quest for the next few days.  Then I’m going to be making a lot of phone calls and getting prices on services and equipment.  That’s a bit backwards from the way it’s usually done, but necessary in this case.

You may be wondering where we are with regards to votes now that we’ve been at this contest for almost a week.  Well, we’re not quite where the numbers need to be yet.  As of this writing we have 40 people voting and 95 votes. 

I’ve been scoping out the competition…trying to get a handle on who the motivated players are.  Dockers says that they are supposed to be announcing the top scorers in the near future and I wish they would.  There are literally hundreds of entries and trying to check them all out is a huge task!  (Anybody want to volunteer to do that?)  But I can’t wait for whenever Dockers is going to get that list together.  I need to have some idea of where we stand in this competition.  So I spent several hours the other morning going through a ton of entries.  Not all, mind you, but enough to realize that there are some heavy hitters out there competing against us.

I counted 33 entries with numbers higher than ours.  So does this mean we’re safe and getting into the top 50?  No, not at all, because I didn’t look at all the entries.  There could be 17 entries with more votes than us that I haven’t seen yet.  So we are far from safe.  The number of votes of the top three contestants (that I saw) were 660, 788, and 901.  So we are really trailing behind.  Granted, they had a two-week head start on us, but we really need more voters and we need voters to vote every single day! 

Ideally, I want to be in the top five.  Since Dockers has made this a voting contest, it makes sense that being one of the top vote getters is going to be a factor in their judging.  They are most likely looking to back a project that is popular, among other things.  What’s really hurting us right now is that the I-Maniac Fan Club’s mailing list is broken.  There are over 1,300 fans on that list that aren’t hearing about this contest.  But can you imagine if they did and all started voting?  We’d blow everyone out of the water!  I’m working with the fan club president and trying to help get the mailing list fixed.  In the meantime, if you know any fellow I-Man fans, please let them know about this contest and that their help is urgently needed.  Be sure to send them the link to my entry.  I’ve placed the link to my entry right on the home page of the Shoom Zone website, so if you ever need to find it quickly, go to www.shoomzone.com.