Vincent Ventresca Co-Stars in “Break Point” and Talks “Invisible Man,” and a Dragon Con I-Man Panel This Weekend

Vincent Ventresca’s latest movie Break Point is out in theaters this weekend. Vince has a small role in it as Gary, the douchebag hair model boyfriend of Amy Smart’s character, Heather.

Hmm…I seem to remember Darien Fawkes from The Invisible Man also doing some hair modeling in his past.

Break Point stars Jeremy Sisto and David Walton.  It’s about two estranged brothers who reunite to make a run at a major tennis tournament. Here’s the trailer for the film.

In this scene, Gary meets David Walton’s character, Darren.

In this interview, Vince talks about the director, the writer, and the relationship between Gary and Heather.

Here’s some behind-the-scenes footage from the film.  Look closely and you’ll see Vince in a couple of scenes.

 

Break Point is getting a limited release this weekend in these cities.  It’s also available on VOD at iTunes and Amazon.

Rama’s Screen recently did an interview with Vincent, which you can read here.  I really love this interview.  Rama starts out revealing that he is an Invisible Man fan and that makes the whole interview even more fun, especially when he comments on the shirtless scene.  Vince gives all you VVSB’rs a shout out when he mentions the Vincent Ventresca Shirtless Brigade!

Vincent Ventresca shirtless in "Break Point"

Vincent Ventresca shirtless in “Break Point.”

But the best part of Rama’s interview was by far when he asked Vince if The Invisible Man could come back. Vince replies saying that he’s been talking about it with Matt Greenberg, the series’ creator.  He doesn’t really give us much information in the interview, but Mike McCafferty has hinted that something might be going on.

Although they are being tight lipped about it, the fact that, at the very least, discussions are taking place, makes the fan girl in me squee with delight.  As some of you may know, years ago I had an entertainment lawyer approach Universal so that we could start a dialog about the rights to The Invisible Man.  I got turned down flat.

My thoughts since have been that if The Invisible Man is to have any chance of coming back, it would most likely happen if the people involved in the making of the original series worked to make it happen.  And even for them, there are a lot of hurdles to overcome.  When it comes to the movie and TV world, getting anything made is hard.  Real hard.

But the fact that there is actually some kind of effort being put toward that goal is so freaking awesome.  How cool would it be to get the cast back in both The Invisible Man and my movie too?  To my knowledge, I don’t think anything like that has ever been done before.

In the interview, Vince mentions his hope for finding a bigger audience.  And that’s going to be vital to its success.  We already have a small loyal audience for the show, but it needs to grow.  With such a huge quantity of media clamoring for the audience’s attention nowadays, it’s hard to stand out and get noticed.  So, from a strategic point of view, getting both the show and a fan-produced movie made could be enough of a tipping point to get us known to the wider audience.

I know I’ll keep working on my end to help make that happen.

I-Man at Dragon Con

Lastly, but by no means least, in commemoration of the show’s 15th anniversary, there is fan-run Invisible Man panel happening this weekend at Dragon Con in Atlanta, Georgia!

The panel takes place tomorrow evening at 7:00 p.m. in the Marriott hotel, room M303-M304.

If you’re attending Dragon Con this weekend, be sure not to miss it!

The Impossibly Long End of Year and Beginning of Year Movie Update!

I can’t believe that it’s a new year already! Where did the time go? I haven’t been blogging like I should have been this past year and I apologize for that. A lot of personal stuff got in the way. Now I’m not one to talk much about my personal life here on the blog, but because my personal life impacted the project so much this year, I feel I owe you all an explanation since you’ve patiently stuck with me all this time. I wish the news was all good. Unfortunately, it wasn’t. So let’s get the unpleasant stuff out of the way first.

Near the end of 2013, the motherboard on my computer burned out. That immediately stopped all work on the treatment because all my files were on that hard drive. I know, I should have had a backup (I do now), but I didn’t then. Fortunately, I had other options that still gave me access to the Internet, but that was about it. Getting my computer fixed took way longer than it should have because I was given some wrong advice but this past summer I finally got it working again.

This is what I've been living with the past year.

This is what my bathroom currently looks like.

Then a water leak in my only bathroom caused extensive water and mold damage in both my bathroom and bedroom. What a mess. The tub/shower got torn out, along with several walls and carpeting in my bedroom. I’ve been living with no tub/shower for almost a year now and have been having to use the shower at the gym. I’m thankful that the shower is available; but it’s also a pain in the neck to have to leave my home to take a shower. So I’ve been saving my money to get the bathroom remodeled first. Then I’ll save to get the bedroom remodeled. I’ve been wanting to get that bathroom remodeled for years. (I’ve always hated that floor and wallpaper.) Now I’m forced to get it done. It’s been a year since this happened and I only have 1/6th of my budget saved so, unfortunately, I have to live with this for quite a while yet.

Shortly after this happened, I got sick. I won’t go into the details, but it is a permanent condition. Fortunately, I’m managing it and have felt fine since. There’s always the threat that I could have a flare up, but if that happens I’ll deal with it. It’s nothing that will stop me from moving forward.

And lastly, I had my identity stolen. What a headache that was. It took months to get it cleared up, but I eventually did. I wish that was the end of it but, unfortunately, from now on I need to keep a hypervigilant eye on my credit report.

I didn’t tell you all of that to get your sympathy. There are a lot of other people that had a much harder year than I did, such as my cousins who lost their 12-year-old daughter to cancer. And I’m not trying to make excuses, but the reality is that sometimes things happen that throw us off course. It can’t be helped. To deny that is simply unrealistic. But it’s not the fall that determines the outcome. It’s whether you get back up again. So here is me getting back up again.

With everything that has happened, you might be thinking that last year is a total wash. No, not at all! It’s the year the treatment was finally finished! Yep, after years of trying to find the right story, I finally have a story that I love and am excited to make. So let me catch you up on what’s been happening with the project.

Back at the beginning of the last year, Shawna, the writer I had been working with, decided that she wanted to leave and pursue her own projects. I totally get that. She had helped me for several years with my story and was patient beyond belief with this beginning screenwriter. I always appreciated her critiques. She was never afraid to express her opinion and tell me if something was wrong. That’s such a rare quality. And even though we didn’t always agree, we were always able to talk about it. I am very thankful for all her input.  Because of her help the story is so much better than it was. I wish her much success in her new endeavors.

After Shawna left, it wouldn’t be until summer that I finally was able to access and work on the treatment again. This time I was on my own. The majority of the story had already been written, so it was just a matter of finishing up the third act and then giving it a quick once over and making some formatting changes. I reformatted it as a scriptment, which is a treatment with some screenplay formatting in it. By fall it was finished. It turned out to be a massive 56 pages long.

Now it was time to have it professionally analyzed. I sent the treatment to two story analysts. Both of them teach college screenwriting and have read hundreds of scripts over the years. One is located in Los Angeles and teaches at UCLA Extension, among other places. (I’ve taken one of his classes in the past.) He has also been a reader for several major studios. The second one is located in San Francisco and teaches at the Academy of Art University and is a former Pixar story analyst. So both of these guys are very qualified. What’s interesting is how very different their notes were.

Now, I don’t expect the story analysts to like my story. It may not be their personal taste; and that’s okay. I just need them to tell me if there are any story problems. What I wasn’t expecting was how much the LA analyst would LOVE (caps are his, not mine) my story. I had always thought of my story as sci-fi/fantasy. His opinion was that it is a fantasy thriller. He thought the genre was great, the weapon unique, and he loved the world I created and the characterizations. I didn’t tell him about the cast I’m writing this for so he judged it purely on story.

What equally surprised me is what he said needed work. He said the story was only half finished, that it was in the middle of act two, and that I needed to finish act two and write act three. To say I was flabbergasted is an understatement. I thought I had a beginning, middle, and end! He didn’t agree. He said to take what I wrote and add to it. The other notes he gave me was to make the ending bigger and make the villain eviler. He wanted me to keep it in treatment form until I finished writing the rest of it.

The SF analyst didn’t tell me whether he liked the story or not. He just pointed out some rather minor things that needed expanding and/or clarification. His biggest note was that it needed a better ending. I totally agreed with that. After he was finished with his comments, I told him what the other analyst had said about the story only being half finished. I wanted to see if he agreed. He didn’t. He reaction was the same as mine had been. (“What?!”) He said that the story was ready to go to script and he thought I had about 100 pages worth of script. The LA analyst thought I had 75 pages worth of script.

Goes to show you that even the experts don’t agree and it always pays to get more than one opinion. So who is right? Well, the only way to find out how many pages I have is to start putting the story into screenplay format, so I decided to fix the few minor issues they pointed out, call the treatment done, and start writing the script. If I do end up needing to add on to the story, I already have a bunch of ideas on where to go next.

I thought it was interesting that the SF analyst described the story as having franchise potential. I purposely wrote the story with the idea that it could have both franchise and transmedia potential. I’ve got ideas for a webisode, books, toys and other merchandise, a video game, and future movies, as well as a TV show. Seriously, the story world I created is that big! But I wrote it that way because I wanted to set it up for success from the very beginning. How much of those ideas come to fruition only time will tell, but the possibilities are there.

If I had a huge studio budget, we could do some amazing visual effects, but I also wrote the story with the idea that the effects could be scaled down a bit for a smaller budget. But that doesn’t mean I want it to have cheap-looking effects. I’ve been following a couple of other independent sci-fi movies. The first one, Iron Sky, was done with a $10 million dollar budget, but the effects are so good in it that it looks like it has a $100 million dollar budget. The production company that made it is now crowdfunding a sequel to the movie. The second movie, Space Command, is by Marc Zicree, who has been writing sci-fi books and TV shows for years now. His budget is much lower. I don’t know the exact amount, but I know he raised a little over $200k in his crowdfunding campaign. The rest he is raising from investors. From what little I’ve seen, since the movie isn’t finished yet, it looks like he’s got some really great-looking visual effects. So I know that putting great effects into a low-budget feature can definitely be done. These two movies prove it.

Both story analysts thought I was going to try to sell the story to a major studio. I’m not. It’s always been my intention to produce it myself. (I didn’t realize that I would end up writing it too.) I may take on partners, but I won’t just be handing it over for someone else to make. There are a few reasons for that:

  • A major studio wouldn’t hire Vince, Paul, and the rest of The Invisible Man cast. They’d cast A-listers instead, actors that they deem to be bankable. And that would pretty much negate every reason why I even started this project and got into this business.
  • As a fandom, we’ve already felt the pangs of falling in love with a show where we had no say in its future. If I was to simply sell the script to someone else, they would gain control of the project and we’d be back in the same boat as we were with The Invisible Man. The project could end up getting shelved and we would have no say in the matter.
  • They may not get it. An example of this that the SF analyst told me about is Buffy the Vampire Slayer. The movie script by Joss Whedon was taken out of his hands and put in the hands of a director that didn’t get it and it was pretty much a flop. However, the TV show was firmly in Joss’ hands and that became a huge success. I can’t tell you how many times I’ve had people in the business make suggestions that I know would never satisfy an I-Man fan. They don’t get it, but that’s okay, because I do. I know what I loved about the show; and I’ve done my best to put those qualities into my story. So any partners I take on will need to understand that.

In this business it is extremely easy to lose control of a project if one is not careful. From production companies that shelve scripts and never produce them to distribution companies that buy films and shelve them instead of distributing them. Remember what happened to Mike’s movie Idiocracy? So taking on the right partners will have to be done very carefully.

Since I’m making this movie primarily for I-Man fans (the ones who get it), I wanted to get their opinions about it. So I asked four fans if they would read and discuss the story with me and three of them accepted. I’ve already talked to two and I have one more that I need to talk to yet. So far, the response has been very positive. I heard from them what they liked and didn’t like and what they thought needed improvement, which was mostly really minor stuff. I’m not going to name who the fans are that read my treatment, but they are free to come forward if they wish. All three fans have signed non-disclosure agreements, so if they do come forward, please do not pressure them to disclose anything about the story. But they are free to tell you general info that doesn’t give the story away, such as if they think I got the tone right, what they liked about it, etc.

So where am I on the script? I have 40 pages of the first draft finished. I’m shooting for a pace of about a page a day and I’m behind. I should be on page 62, so I’m trying to get caught up.

I’m on page 14 of the treatment. At this pace I’m writing around three pages of script for every page of treatment. If that continues, with a 56-page treatment, I’ll have a 168-page script!  Way over the estimate of both story analysts! At a minute per page that translates to a two hour and forty-eight minute movie! Of course, the page count could come down once I hit the more dialog heavy parts of the treatment. We’ll just have to see what we end up with.

Frankly, I’m more concerned with writing a really good story than I am about page count at this point. When I first started writing the script I was using a great little free program called Trelby. It’s a pretty basic program but it gets the job done. Then I got a free copy of Final Draft, which is considered the industry standard. It’s full of bells and whistles and I still haven’t learned everything that it can do yet. But what’s interesting about the two programs is that in Trelby, I was getting around two pages of script for every page of treatment; and in Final Draft, I’m getting around three pages of script for every page of treatment. Trelby seems to condense everything a little more. So if I was using Trelby, I’d have a movie that was one hour and fifty-two minutes long.  See why I’m not too concerned about page count?

By the way, I want to give a big shout out of thanks to Jim Fleckenstein for the free copy of Final Draft! It just wasn’t in my budget to buy the program, so it was a wonderful surprise to get a free copy of it. Jim, also, has been very helpful when I needed an expert to look at some police radio dialog in my script. His law enforcement background came in very handy. The Invisible Man really does have the best cast, crew, and fans.

Before I make any sort of announcement about the movie’s name, I’m getting it trademarked. I don’t want to start advertising it and then find out that someone else has laid claim to it, so I have my lawyer working on that. I have one piece of artwork already drawn by a fan that will make a cute banner, wallpaper, or t-shirt graphic, but I’m holding off showing it until I get an okay from my lawyer. I’m also working on getting concept art done for the movie. I can’t wait till that is done and ready to show you.

So there is a lot going on. 2015 looks to be a very exciting and busy year! Thank you for being a part of it and supporting my efforts to feature our Invisible Man cast in a brand new story!

Treatment Update and Important Mailing List News

Treatment Update

I’ve been really quiet on the blog for a while because I’ve been putting my focus on writing the treatment.  Here’s a bit about the writing process:

Each time I go through the treatment, I’ll go back over what’s already been written and clean up anything that needs to be fixed.  Then I’ll usually write another page or two.  After that, I hand it off to Shawna who looks at the old stuff again and the new pages and gives me her thoughts and edits.  It may be a slow way of working, but it is making the older pages better and better.  And while Shawna is working on it, I’m thinking about where I want to go with the next scene or two.  I know how the story is ending.  It’s just mapping out how to get there.

The treatment is getting a lot more detail this time around, which I think will help the script writing go a bit easier.  It reads more like a short story than a dry synopsis, which is what it should do.  Synopses are short matter-of-fact summations of a story…basically a condensed version of the plot.  Whereas, treatments are more entertaining—like a story.  Writers use treatments to sell their screenplays to producers.  But in this case, I’m using the treatment to get the details of the story worked out; and then I’ll use it to get cast and crew on board until the screenplay can be finished.

One of the many challenges with this story is making sure that all five of the main characters (played by Vince, Paul, Eddie, Shannon, and Mike) serve a real purpose in the story.  I don’t want any of their characters to be throw-away characters, like Eberts was in The Invisible Man.  As much as we loved Eberts (and there was even an episode about The Importance of Eberts), in reality, the producers could have easily taken the character out of the series and it wouldn’t have hurt the storyline.  I think it’s to Mike’s credit that he connected with the fans early on and endeared himself and his character to us.  By doing this he assured his continuation on the series, even becoming a series regular in season two.  So I really want to make sure that Mike’s character has a role that is vital to the story and I think we accomplished that.

How fortunate for the Veronica Mars fans that Warner Brothers is willing to bring back their show in the form of a movie, even if the fans have to fund it themselves.  I wish Universal had been as cooperative with The Invisible Man.  Instead, I was turned down flat.  Of course, I was not the show runner, so that gives me considerably less pull with them.  In spite of all that, I’ve always kept in mind that this movie is first and foremost for I-Man fans.  While I can’t copy I-Man, I’ve definitely been using it as inspiration.  I’m hoping that this story will be so good that it will get past any disappointment you may have that it’s not I-Man.  Just to be able to see the cast together again will be such a treat!

This last pass through, I ended up writing five new pages and I’m really happy to say that we are sitting right smack at the beginning of act three, the final act!  The end is so close, I can taste it.  I can’t wait until I’m able to share this story with all of you!

Mailing List News

Some of you observant ones may have noticed that there is an email sign-up form on the front page of my website as well as the Shoom Zone Facebook page.  It’s actually been there a few months.  I’ve been experimenting with a new mailing list service so I really didn’t want to say anything about it until I got the kinks worked out.

The mail service has a cool feature that allows one to split up the mailing list by interests.  I really like the idea, but in practice it was a pain in the neck, so I removed that feature.  I apologize to those of you who signed up already and specified their interests because this means that you will now be getting all my blog posts by email, not just the ones that match your interests.  Although I feel that I need to be blogging more, even at this blog’s busiest, you shouldn’t be inundated with email.  And if a subject doesn’t interest you, you can always delete the email.

My plan is to move everyone from the old mailing list over to the new one within the next month or so.  If you want to go ahead and sign up now, please feel free to do so.  You’ll be able to choose whether you want html, text, or mobile format.  If you don’t sign yourself up, your default will be html.

I won’t sell, rent, or share your email address with anyone except in rare cases as spelled out in the privacy policy.  Please read it if you have any concerns.  Your privacy is important to me.  I don’t like it when someone else abuses my trust and I won’t do it to you.  If you have any questions about it, please feel free to ask by posting a question below or contacting me via the contact form.

Click here to sign up for the mailing list and enjoy the convenience of getting blog posts in your email.

Doritos Crash the Super Bowl Contest: Contest Update

Can you believe the Super Bowl is tomorrow!?  Yep, tomorrow is the day that the two Doritos commercial contest winners are announced.  This will happen during the game sometime when they air the winning commercials.  Unfortunately, it won’t be one of our commercials because we didn’t make it into the finals.  I’m not really surprised.  There was some tough competition this year and there were plenty of commercials that were even better than ours that didn’t make it into the finals.

Overall, I would say we were in the top 20% of the commercials in terms of production value and story; although much of the story ended up getting cut because of time constraints and I think that really hurt us.  I really wish that we could have, at the very least, made it into the finals (and won $25,000) so that we could have paid everyone involved in the project.  This was an all-volunteer project.  Nobody got paid…from cast to crew.  Everyone took a chance with this project and it is greatly appreciated.  We couldn’t have done it without their combined talent.

Now I know I said that I would be talking more about the making of the commercial, and I will.  But because producing the commercial took me off my I-Man cast feature film project for several months, I felt it was more important to put my focus back on writing the treatment to get that project moving again.  Naturally, if we had actually gotten into the finals, I would have put my time and energy into promoting the heck out of the commercial and trying to get as many votes as we could so that we could win.  But since that didn’t happen, I switched priorities.

To all of you who have been supporting us in this contest, I want to give a big thank you.  It was because of you giving us five-star ratings that we were able to actually make third place in the popularity ratings for a short time!  It didn’t last long, of course, because everyone else was trying to get their ratings up too and they overtook us.  But it did get our commercial some attention; and that was one of my goals during that phase of the contest.

If you’ve been following the contest, you know that Doritos had a Nacho Awards contest earlier.  There were eight different categories and our commercial didn’t really fit any of them so we weren’t chosen to compete.  To watch the winners, go to the Doritos Facebook app and click Nachos on the “Sort By” drop down menu.

The Finalists

The following video is of Ali Landry introducing the five finalists, giving us some behind-the-scenes tidbits, and explaining how the contest works.

Tomorrow we find out who the two winners are!  Which commercials are you rooting for?

Mike McCafferty in “Austin & Ally” Tonight!

Hey, Invisible Man fans, here’s a heads up that our own Mike McCafferty will be appearing in tonight’s episode of Austin & Ally! The episode is entitled “Backups & Breakups” and Mike plays the role of Mr. Conley in it.  The show airs tonight on the Disney Channel at 8:30 p.m. PT, but be sure to check your local listings for your time zone.

When I was checking out the show’s website, I was pleasantly surprised to see that actress Raini Rodriguez is in it.  She’s probably best known for Paul Bart: Mall Cop.  I met Raini a couple of years ago at a film festival and she really impressed me with her friendliness and professionalism.  She’s a very talented young lady and it’s nice to see her as a regular in a TV show.

Time for a Project Update

In fact, it’s way past time for an update!  Time flies when you’re busy and before you know it you realize that it’s been a while since you’ve written anything about the film project.  Yikes!  So I’m remedying that right now.

Last time I talked to you about the project, I was going to be starting a screenwriting class that promised to “get your treatment done in ten weeks.”  Part of the class was also studying a different genre each week.

Now before the class had started I had told one of the teachers that my treatment was about half done and I explained my project and asked if the class was right for me.  He assured me it was, and since he has a stellar reputation, I enrolled in the course.  At the beginning of the course, I sent him a copy of the treatment and was told that I have a very exciting idea.  Good to hear!  I couldn’t wait to get started working on it.

While it was a good class, it wasn’t quite what I expected it to be. When we finally started working on our treatments, about halfway through the class, I was asked to break my story back down to outline form and send it in.

I was not happy with this news.  I wanted to start where I was and move forward.  My story has not been in outline form for a very long time.  Stripping it back down to the outline felt like going backwards to me.  So I contacted the teachers.

In spite of the initial miscommunication, we were able to come to an agreement.  I would complete the genre part of the class and finish writing the treatment on my own with my writer and they would then analyze it for me.

So where are we with the treatment you ask?  I’d say about half to two-thirds done.  It’s going slowly and steadily, but it’s getting a big rewrite.  A lot of changes are being made and I think I’m finally getting to the point where I’m happy with where the story is going.  It’s time consuming, but worth it to get the story right.

Doritos Super Bowl Commercial Contest

About a month ago, my friend Sandra Myers approached me about joining her in producing a commercial for the Doritos Crash the Super Bowl contest.

Sandra and I worked together on the Dockers video I produced last year.  She had directed it for me and had done a fabulous job.  We work really well together, and in this business finding people you work well with is important.  It’s why teams like Brian Grazer and Ron Howard work on project after project together.

But the right person is only part of the equation.  You, also, have to have the right project.  Fortunately, Sandra has the right project.  Her idea is fantastic!  I think it definitely could be one of the top, if not the winning commercial.  This made it easy to say yes.

What, also, made it easy to say yes was the grand prize:  One million dollars!  Now, since I’m partnering with Sandra on this project, I only get half of that but, still, that is five times the amount of last year’s contest.  Five times!  I don’t think I have to tell you what winning that amount could do to for our I-Man cast film project.  I would not only have development money, but also a nice chunk of the pre-production budget.

Oh, and did I mention that the winner gets their commercial aired during the Super Bowl?!

Now, I’m not going to say this is going to be easy.  Last year’s competition had over 6,000 entries and the competition is fierce.  Check out last year’s winner:

You may be wondering if entering another contest is the right way to try to raise money for a movie.  Frankly, it’s probably not any harder than any other method.  This whole business is tough.  As a producer, I can’t let that stop me.  Someone once said that in this business expect to hear 100 noes before you hear a yes.  So, I need be relentless in my quest for funding and look at all the methods available to me.

I just found out yesterday that the contest is definitely on this year.  It starts September 19th!  I hear that there may be some new twists and surprises this year, so I’m anxiously waiting to start reading the rules and regulations and getting more info about it.  Hopefully, it won’t change any of our current plans but, if it does, we’ll make any adjustments as needed.

I’ll be blogging here and on a couple of local Patch sites and giving frequent updates about our progress on the project.  This was something I had wanted to do with the Dockers video, but we were so short on time it never happened.  This time we have a bit more time for pre-production.

I hope you’ll check back often and lend your support to our project!

 

“Should’ve Been Romeo” is Premiering This Weekend!

Hey, folks, many of you have already heard the news, but for those of you who haven’t yet, I’m excited to tell you that Paul Ben-Victor’s film Should’ve Been Romeo is having its world premiere this Saturday, April 28, 2012, at the Newport Beach Film Festival!  I remember Paul talking about this movie back when The Invisible Man was airing and it is wonderful to finally get to see his dream for this project fulfilled!  And if seeing Paul act isn’t enough, Vince also has a small part in it!

So if you are in the LA area or are going to be this weekend, please take note.  The show starts at 8:00 p.m. at the Regency Lido Theatre, 3459 Via Lido, Newport Beach, CA.  There will be a party after the screening for an additional cost.

Click here to purchase tickets

Official Should’ve Been Romeo Website

 


“Bad Actress”

Bad Actress is one of Vincent Ventresca’s latest films!  If you don’t recognize the name, that’s because it has changed.  You might remember it under its previous name 818.  I blogged about it here a while ago.

Check out the trailer…

Now we all get a chance to see Vince in Bad Actress!

If you’re fortunate enough to be in the Los Angeles area, you can watch it at a special screening Wednesday, April 25, 2012, at Laemmle’s Noho 7 in North Hollywood at 7:30 p.m.  And your ticket will get you into the after party at J.E.T. Studios!

Click here to purchase tickets

If you’re not in the LA area, don’t fret.  You can still watch the movie!  Here’s how:

Official Bad Actress Website